Showing posts with label focus. Show all posts
Showing posts with label focus. Show all posts

Wednesday, 16 October 2013

WHAT IS FOCUS PULL?

You may have watched a movie and seen in the credits that someone has the job of 'Focus Puller'. What does that job entail? Put simply, the role of a Focus Puller (or 1st Assistant Camera) is to operate the focus ring on a camera. This part of the camera dictates the sharpness of the image as it is seen through the camera lens, so the FP is a very important role within a film production team (without a sharp image, the shot cannot be used and is wasted).


Often, the FP is required to adjust the focus during filming to achieve a particular cinematic effect. For example, a shot may start with the principal actor in the foreground being in focus. Then, another actor comes into shot and the shots focuses on them, leaving the principal actor out of focus. This is a deliberate decision by the Director to transfer the audience's attention from one part of the frame to another.


Because of the demands of using focus pull when filming a scene, there is much preparation work done before filming begins to ensure the shot runs smoothly. This may involve rehearsing with stand in actors, where tape marks on the floor are used to inform them where to stand at certain points during a scene. FPs also have a responsibility for the maintenance and upkeep of camera equipment and accessories.

Many smaller productions cannot afford an FP and so this duty lies with the camera operator, which can sometimes be a tricky task given the complexities of modern camcorders or DSLRs!

You can find out more about the Focus Puller here: http://en.wikipedia.org/wiki/Focus_puller 
 
www.candyjarfilms.co.uk

Thursday, 11 April 2013

VIDEO PRODUCTION TECHNIQUES: FOCUS

As an integral element to film and video, focusing determines the sharpness of an object or image by adjusting the lens, providing an acceptable visual perspective known as the depth of field. The art of focus lies in knowing what part of the frame needs it most, and the avoidance of over-shooting. For example, interviews or ‘talking heads’ within television are an excellent example, with the eyes of the given subject being an important point for the viewer’s attention to be drawn to. However, much of this will lose meaning if you don’t learn the behaviour of your camera itself and the way it captures distance, sharpness, movement and zoom in relation to the focal plane (the area in which the eye or camera draws attention to). Without any of these elements, the image within the frame will appear ‘flat’, with no sense of immersion or depth.
Depth of field: Notice how the subject is sharp, while the background is soft
To avoid this, and to gain an understanding of how integral focus can be to your shot, practice is a crucial element. For instance, even with the most professional equipment, manual focus is a critical skill with any level of video production. Here are a few ideas to experiment with and try out:

Pulling Focus:
Within the frame, attention is drawn towards the subject with the sharpest focus. This attention can be changed through the use of focus pulling. For instance, a foreground subject (such as a person) can move away from the frame, with focus instantly thrown back to the background, containing a second subject.

Differential Focus:
By using a deliberately narrow depth of field, emphasis on a principal subject can be increased. This is down to the contrast between the sharp focus of the principal subject, and the heavily out of focus background (and sometimes a foreground subject is used as well which is also out of focus).

Zoom lens and focus:
Provided the back focus has been correctly adjusted, this is designed to ensure the focal plane is maintained throughout its range. By zooming in without manual focus, images can lose focus and become distorted.

By becoming familiar with these ideas, you can be more artistic and manipulative about what you want the viewer’s attention to be drawn to. As an important but often overlooked aspect to filming, these techniques are most often mastered through practice and experimenting. 

To find out more about the different techniques with focus, check out these links: